tag:blogger.com,1999:blog-80088595561713686622024-02-18T23:09:19.066-08:00Architecture, Space and Society CentrePlease see our new website:
http://www.bbk.ac.uk/assc/ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.comBlogger16125tag:blogger.com,1999:blog-8008859556171368662.post-87139711078689457012016-01-26T01:48:00.001-08:002016-01-26T01:49:06.757-08:00New Website<span style="font-size: x-large;">This website is now defunct. Please see the new website for the Architecture Space and Society Centre at:</span><br />
<span style="font-size: x-large;"><br /></span>
<a href="http://www.bbk.ac.uk/assc/"><span style="font-size: x-large;">http://www.bbk.ac.uk/assc/</span></a>ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com0tag:blogger.com,1999:blog-8008859556171368662.post-32888880188800252492015-07-31T08:00:00.001-07:002015-10-12T13:31:53.314-07:00Architecture in Time: The Temporal Conditions of Design<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSS_3tcwYObl895QscABFfJ4tHR6shg0_M6-ocQzYKSIXuTbQOmh2aFPC9bHwaWIbTVj14oW0CsHJ_3bJpkHHwnNxW5uYFKkphlTWF2UgN-wWQl3UoUTJfITqTOF0IhZC9PN7I7cXoiiMk/s1600/PreMuseum.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="207" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSS_3tcwYObl895QscABFfJ4tHR6shg0_M6-ocQzYKSIXuTbQOmh2aFPC9bHwaWIbTVj14oW0CsHJ_3bJpkHHwnNxW5uYFKkphlTWF2UgN-wWQl3UoUTJfITqTOF0IhZC9PN7I7cXoiiMk/s320/PreMuseum.jpg" width="320" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">A colloquium organised by Dr Lesley McFadyen, Department of History, Classics and Archaeology, Birkbeck, and co-hosted with the Birkbeck Institute for Social Research</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Friday, 23 October 2015, 10am-5pm</span><br />
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">The concept of architectural design is
accounted for on separate terms to the world in which it emerges – it is not
socially dependent. Yet, there are building projects where the past plays a
creative part in the design process. <o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">In archaeology, an exploration of temporal
details can unsettle the sequence of design followed by occupation and instead
reveal how people design with living.<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">In between these two disciplines,
ethnographic accounts of making demonstrate how design emerges through routine
practices of reiteration and alteration. Architecture in time considers the
social complexity of buildings, it brings to the fore time as a creative force
in design, and makes architecture depend on society.<o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span lang="EN-US">Key themes:</span></b><span lang="EN-US">
the production of architecture, architecture and participation, the temporality
involved in the mediation between matter and form, and the relation between
design and occupation.<o:p></o:p></span></span></div>
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<b><span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">Speakers<span style="mso-bidi-font-style: italic;">:<o:p></o:p></span></span></span></b></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://www.essex.ac.uk/arthistory/staff/profile.aspx?ID=4168"><b>Ayla
Lepine</b></a> (University of Essex), 'Revivalism and Meaning in Architecture:
Three Case Studies'<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://saxoinstitute.ku.dk/staff/?pure=en/persons/49662"><b>Tim Flohr
Sørensen</b></a> (University of Copenhagen), 'Architecture after People:
Emergence, Emergency and Unexpected Buildings'<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://www.thecass.com/people/p/freddie-phillipson"><b>Freddie Phillipson</b></a>
(WWMArchitects and London Metropolitan University), 'Endless: Topography,
Temporality, Architecture'<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://staffprofiles.humanities.manchester.ac.uk/Profile.aspx?Id=Albena.Yaneva"><b>Albena
Yaneva</b></a> (University of Manchester), 'Slowing Down: Temporality in
Building Renovation and the Escape from Perspective'<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://www.bbk.ac.uk/history/our-staff/academic-staff/dr-lesley-mcfadyen"><b>Lesley
McFadyen</b></a> (Birkbeck, University of London), 'Buildings within Time:
Inhabitation as a Part of Design Practice'<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"><a href="https://www.dur.ac.uk/research/directory/staff/?mode=staff&id=9727"><b>Thomas
Yarrow</b></a> (University of Durham), 'Working from the Past: Towards an
Understanding of the Temporal Technologies of Heritage Practice'</span></span><br />
<br />
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"><b><a href="http://www.bbk.ac.uk/bisr/events/events/bbk-local?uid=d66f1af77c841eb6b96127dc247e15e8" target="_blank">Full programme and link for registration.</a></b></span></span><br />
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"></span></span><br />
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"><o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span lang="EN-US">This event is open to all, but
registration and payment are essential.</span></b><span lang="EN-US"><o:p></o:p></span></span></div>
<br />
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US">£35 Standard | £25
Birkbeck Staff | £15 <i>All </i>Students & Unwaged</span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;">(If you cannot afford the fee, please get
in touch with the BISR Manager, Reina Goodwin-van der Wiel, on <a href="mailto:r.vanderwiel@bbk.ac.uk">r.vanderwiel@bbk.ac.uk</a>.)</span><o:p></o:p></span><br />
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></span>
<span style="font-family: Arial, Helvetica, sans-serif;">You may be interested in a talk on the evening of 23 October, 6pm, hosted by BIRMAC. Timothy Edensor, 'Ruins are Everywhere'. For more information and to book:</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://www.bbk.ac.uk/birmac/2015/10/01/friday-23-october-2015-timothy-edensor-ruins-are-everywhere/" target="_blank"> http://www.bbk.ac.uk/birmac/2015/10/01/friday-23-october-2015-timothy-edensor-ruins-are-everywhere/</a> </span><br />
<br />
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ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com2tag:blogger.com,1999:blog-8008859556171368662.post-48353458473688262332015-05-05T03:01:00.000-07:002015-05-15T08:45:43.557-07:00Stefan Muthesius, Tower Block Revisited: Aspects of British Public Housing Post-WWII<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwEBO7yc7B2Pm9BjEOEUk4gbeDOqXaUvo3K0iwen_k8MYJaxSlhebe1CIYZII9vbKcQA1mEbVZwce6GYIxHQauTye1t2cvuZLbLeOxSMMJU66p40boWR1UUZSCYbF1NhU0Fp2UPlXMw9-s/s1600/Fisher+Bendix+Sink+Image.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwEBO7yc7B2Pm9BjEOEUk4gbeDOqXaUvo3K0iwen_k8MYJaxSlhebe1CIYZII9vbKcQA1mEbVZwce6GYIxHQauTye1t2cvuZLbLeOxSMMJU66p40boWR1UUZSCYbF1NhU0Fp2UPlXMw9-s/s1600/Fisher+Bendix+Sink+Image.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kitchen Sink Advertisement 1969</td></tr>
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<span style="font-family: Arial; font-size: 16.0pt;">Tower Block
public housing in Britain has been subjected to diametrically opposed
viewpoints. This talk suggests approaches that may be taken by the art and
architectural historian. Miles Glendinning and Stefan are at present preparing a successor to their 1994 book on the subject of Council Tower Blocks, a shorter account that tries to stay closer to the actual buildings.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial; font-size: 16.0pt; mso-ansi-language: EN-US;"><a href="https://www.uea.ac.uk/art-history/people/profile/s-muthesius" target="_blank">Stefan Muthesius</a> taught at the School of Art History
and World Art Studies at the University of East Anglia. His publications
include <i>The English Terraced House</i><span style="mso-bidi-font-style: italic;">
(Yale University Press, 1982)<i>; Art, Architecture and Design in Poland
966-1990 An Introduction</i> (</span>Langewiesche, 1994)<i>; Tower
Block. Modern Public Housing in England, Scotland, Wales and Northern
Ireland </i>(with Miles Glendinning, Yale, 1994), <i> The Postwar
University. Utopianist Campus and College</i><span style="mso-bidi-font-style: italic;"> (Yale, 2000)</span>; T<i>he Poetic Home. Designing the 19th century
Interior</i><span style="mso-bidi-font-style: italic;"> (Thames & Hudson,
2009)<i>.</i></span></span><br />
<br />
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ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com0tag:blogger.com,1999:blog-8008859556171368662.post-8721843329888175462015-02-10T01:41:00.002-08:002015-02-27T07:14:03.152-08:00Jeremy Till 'Thick Time' and the launch of Architecture Space and Society Centre, Friday 13 March 6pm<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUyZPhmzdNWpYNnbKPBCRTSwuZY05K46sBv7yG-gvQY0FAqghKBsxjAIoMfuw4XPR35NeXbJzvCb95oW9IX5vLBeNmYAIYy6EInLIG18JtIp86vI3EakpJl6noEwymW6Lvg1st2yGbfP-2/s1600/2_dining+table+during+meal.jpeg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUyZPhmzdNWpYNnbKPBCRTSwuZY05K46sBv7yG-gvQY0FAqghKBsxjAIoMfuw4XPR35NeXbJzvCb95oW9IX5vLBeNmYAIYy6EInLIG18JtIp86vI3EakpJl6noEwymW6Lvg1st2yGbfP-2/s1600/2_dining+table+during+meal.jpeg" height="369" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;">Sarah Wigglesworth, The Dining Room Table Drawing</span></td></tr>
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</style></span></span></span><span lang="EN-US">We are pleased to announce the launch of </span></span><br />
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<span style="font-size: x-large;"><span style="color: #b45f06;"><span style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-US">Architecture Space and Society Centre</span></span></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-large;"><span lang="EN-US"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-large;"><span lang="EN-US">with Jeremy Till, Central Saint Martins, </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-large;"><span lang="EN-US">speaking about 'Thick Time'</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-large;"><span lang="EN-US"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-large;"><span lang="EN-US">followed by a reception</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-large;"><span lang="EN-US"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-large;"><span lang="EN-US">Friday 13 March, beginning 6pm</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-large;"><span lang="EN-US"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-large;"><span lang="EN-US">Keynes Library</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-large;"><span lang="EN-US">School of Arts, Birkbeck</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-large;"><span lang="EN-US">43 Gordon Square, London</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-large;"><span lang="EN-US">Event free but <a href="https://eventbrite.co.uk/event/15849620642/" target="_blank">booking required</a>. </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><span lang="EN-US"><span style="font-size: large;"><br /></span></span></span>
<span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"><span lang="EN-US">'Thick Time' </span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"><span lang="EN-US">This lecture will present a
reading of space and time that Jeremy Till has developed in his writings.
Starting with the premise that architects tend to situate their work out of
time in an effort to shake off the terrors of time, the lecture will propose an
alternative model. Thick time both critically gathers the past and projects the
future, allowing each to loop into the other. The result is an understanding of
architecture as a dynamic and contingent act. </span></span></div>
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<span lang="EN-US"><a href="http://www.jeremytill.net/" target="_blank">Jeremy Till</a> is an architect, educator and writer. He is Head of Central Saint Martins,
widely considered one of the world’s leading centres for art and design
education, and Pro Vice-Chancellor, University of the Arts London. His
extensive written work includes the books <i>Flexible Housing</i>, <i>Architecture
Depends</i> and <i>Spatial Agency, </i>all three of which won the RIBA
President’s Award for Research<i>. </i>His teaching and research concentrates
on the social and political aspects of architecture and spatial production. As
an architect, he worked with Sarah Wigglesworth Architects on their pioneering
building, 9 Stock Orchard Street, recently flagged by the Architects Journal as
the most influential house of a generation. He curated the UK Pavilion at the
2006 Venice Architecture Biennale and also at the 2013 Shenzhen Biennale of
Architecture and Urbanism.</span></span>
ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com0tag:blogger.com,1999:blog-8008859556171368662.post-16811224529135607162014-08-22T12:24:00.001-07:002014-08-27T06:47:03.166-07:00Skylines: The Aesthetics of Ascension<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyU6hTRKTAlGeZ20mb5wlMiyImwCiI5W7GaNoeR-sP2n2T-2UMTxP22gMbtDFzAM95ZGjpFxRzhskOiTe4ffnxLjrJtyHikKIpOUKDC808SPPiMNcwcFhNE2BvvE30mGO5OI1wd2Sa39gJ/s1600/01216773001_H_crop-R.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyU6hTRKTAlGeZ20mb5wlMiyImwCiI5W7GaNoeR-sP2n2T-2UMTxP22gMbtDFzAM95ZGjpFxRzhskOiTe4ffnxLjrJtyHikKIpOUKDC808SPPiMNcwcFhNE2BvvE30mGO5OI1wd2Sa39gJ/s1600/01216773001_H_crop-R.jpg" height="317" width="320" /></a></div>
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<br />
<span style="color: #b45f06; font-size: large;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><b>Thursday 23 October 2014, 2-5pm</b></span></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Keynes Library, School of Arts, Birkbeck, 43 Gordon Square, London WC1H 0PD</span><br />
<br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">A
symposium exploring the aesthetics and politics of height, skylines, and views from above, across periods and geographies.</span><br />
<br />
<br />
<br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;"><a href="http://www.courtauld.ac.uk/people/stevenson-christine.shtml" target="_blank">Christine Stevenson</a>, Courtauld Institute of Art</span><br />
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-</style><span style="font-size: x-large;"><b><span style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-US">'He
Views, Discerns, Unciphers, Penetrates': Seventeenth-Century London from
Above</span></span></b></span></div>
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<br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;"><a href="http://architecture.cua.edu/faculty/morshed.cfm" target="_blank">Adnan Morshed</a>, Catholic University of America, Washington DC</span><br />
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{page:WordSection1</style><span style="font-size: x-large;"><b><span style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-US">Impossible
Heights: Skyscrapers, Flight, and the Master Builder</span></span></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK4n_osyfqJYaw3YGyVuky63apHrA2qAjKr3o_PR7C6gZeXUTd1x3RfQ2P2st3iGy0Y3SxUqmoa9o68z_wmr-vPrkGiPdbPS7udh4dHfhCwAKSai2gasgIT_RyHAMYCZkMbXCn8LhrzigX/s1600/Morshed-Cover+March+14,+2014.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK4n_osyfqJYaw3YGyVuky63apHrA2qAjKr3o_PR7C6gZeXUTd1x3RfQ2P2st3iGy0Y3SxUqmoa9o68z_wmr-vPrkGiPdbPS7udh4dHfhCwAKSai2gasgIT_RyHAMYCZkMbXCn8LhrzigX/s1600/Morshed-Cover+March+14,+2014.jpg" height="400" width="280" /></a></div>
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<span style="font-size: x-large;"><span style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-US" style="color: orange;">Alan Powers</span><span lang="EN-US">, Independent Scholar, author of <i>Britain</i> (Modern Architectures in History, Reaktion)</span></span></span></div>
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<span style="font-size: x-large;"><b><span style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-US">'No tall buildings please,
we're British': The Interwar Resistance to Height in London</span></span></b></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAkFYUeZ4Oyse5UHS8Lg1DeuIepy1w-gRos1GcOlAOM0ZRRYErciKZAYxD3Zgbs_M2ztye9TJ-MO9WF9A4wVpkITwRaXNVg3CRfBBWMeKiMzofYo6YAStKm0WrkEIMjb08PfURcgiJBe68/s1600/2_The+Savoy+in+the+year+2000.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAkFYUeZ4Oyse5UHS8Lg1DeuIepy1w-gRos1GcOlAOM0ZRRYErciKZAYxD3Zgbs_M2ztye9TJ-MO9WF9A4wVpkITwRaXNVg3CRfBBWMeKiMzofYo6YAStKm0WrkEIMjb08PfURcgiJBe68/s1600/2_The+Savoy+in+the+year+2000.jpeg" height="266" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">'The Savoy in the Year 2000' by William Walcot, 1929</td></tr>
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<span style="font-size: large;"><span style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-US">This event is free and all are welcome, but booking is recommended. To book a place click <a href="http://www.eventbrite.co.uk/e/skylines-the-aesthetics-of-ascension-tickets-12821548597" target="_blank">here</a>.</span></span></span><b><span style="font-size: large;"><span style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-US"> </span></span></span></b></div>
ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com1tag:blogger.com,1999:blog-8008859556171368662.post-69493436736329028132014-03-31T05:54:00.001-07:002014-05-20T05:38:48.577-07:00Architecture Under Attack: Destruction and Renewal in and after World War I<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZS15qqDeyAg1XkGYiyPKq4I32zyqI1Lc9IhP4IFJH3HTMO4F2AmZpN0N3s1RMcha1hUZPr0Of4WJg7LAYlPNHsXTOjkxCGSvQ5bjN6YAo7hMoiFgRml4o_fFQ_c8TRXEKT-8oma8M75uZ/s1600/JohnsonTopographyFacing78MountaneeringWarFareAsOneSmall..jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZS15qqDeyAg1XkGYiyPKq4I32zyqI1Lc9IhP4IFJH3HTMO4F2AmZpN0N3s1RMcha1hUZPr0Of4WJg7LAYlPNHsXTOjkxCGSvQ5bjN6YAo7hMoiFgRml4o_fFQ_c8TRXEKT-8oma8M75uZ/s1600/JohnsonTopographyFacing78MountaneeringWarFareAsOneSmall..jpg" height="320" width="216" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;">from D.W.Johnson, <i>Topography and Strategy in the War</i> </span><br />
<span style="font-family: Arial,Helvetica,sans-serif;">(1917)</span></td></tr>
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<span style="color: #b45f06; font-size: large;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><b>Friday 30 May 2014, 1-4pm</b></span></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Cinema, School of Arts, Birkbeck, 43 Gordon Square, London WC1H 0PD</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">A symposium exploring the spatial dimensions of siege, destruction, renewal and commemoration during and in the aftermath of the First World War.</span><br />
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<span style="font-size: large;"><a href="http://www.bbk.ac.uk/art-history/staff/teaching-staff/topp" style="font-family: Arial, Helvetica, sans-serif;" target="_blank">Leslie Topp</a><span style="font-family: Arial, Helvetica, sans-serif;">, Birkbeck</span></span><br />
<b><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Utopia Under Siege: Habsburg Psychiatric Hospitals in World War I</span></b><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><a href="http://www.arthistory.ucsb.edu/faculty/welter.html" target="_blank">Volker Welter</a>, University of California Santa Barbara</span><br />
<b><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">'Open Order' - 'Open Plan': On a Possible Root of Modernist Architecture in the Battlefields of the Great War</span></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_GfXhTmj-TIDHumbGy1X0TmhZwwqe1V9e7E3Naa7nmN70oPMQt7rjERepNOZnyinTbflDX9xXq2M6WHsCPJWDwYzpOsPaol12i4E6VuCzS_mU5lm7DRB9F6GSqZSmq4ixWs7_ZelZHQJp/s1600/IMG_0217.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-size: large;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_GfXhTmj-TIDHumbGy1X0TmhZwwqe1V9e7E3Naa7nmN70oPMQt7rjERepNOZnyinTbflDX9xXq2M6WHsCPJWDwYzpOsPaol12i4E6VuCzS_mU5lm7DRB9F6GSqZSmq4ixWs7_ZelZHQJp/s1600/IMG_0217.jpg" height="208" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif; font-size: x-small;">Ruined Pavilion, Psychiatric Hospital, Gorizia, c. 1918</span> </td></tr>
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<span style="font-size: large;"><span style="font-family: Arial, Helvetica, sans-serif;">Tim Skelton, Independent Scholar and author (with G. Gliddon), of </span><a href="http://www.franceslincoln.com/architecture-art-and-design/lutyens-and-the-great-war" style="font-family: Arial, Helvetica, sans-serif;" target="_blank"><i>Lutyens and the Great War</i></a><span style="font-family: Arial, Helvetica, sans-serif;"> (2009)</span></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>The Cenotaph - Architectural Journalism or Something More? </b>(PLEASE NOTE: Tim Skelton is unable to attend in person, so his paper will be read by Zoe Opacic)</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><a href="https://www.english-heritage.org.uk/caring/first-world-war-home-front/eh-experts/" target="_blank">Roger Bowdler</a>, English Heritage</span><br />
<b><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">The Urge to Remember: English Commemorative Responses to the First World War</span></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVem_aY_pb4-5xBfhuWEQSshM_HXyBeclWr-9d4VKTRwTQsMRgTy2ZkQ2lxdAqDvHnvth4p_kkHG_9KEIf-HiJ1DTtz3Am1aZvXkpz4wBNpzzCBWCtReceL8mcDmB_A2WxWPkU36NZ78fJ/s1600/Cenotaph.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVem_aY_pb4-5xBfhuWEQSshM_HXyBeclWr-9d4VKTRwTQsMRgTy2ZkQ2lxdAqDvHnvth4p_kkHG_9KEIf-HiJ1DTtz3Am1aZvXkpz4wBNpzzCBWCtReceL8mcDmB_A2WxWPkU36NZ78fJ/s1600/Cenotaph.jpg" height="320" width="261" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;">Lutyens, The Cenotaph, London, 1920</span></td></tr>
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<span style="font-size: small;"><span style="font-size: large;"><span style="font-family: Arial, Helvetica, sans-serif;">This event is free and open to the public. To book a place please click <a href="http://www.bbk.ac.uk/arts/about-us/events/about-us/events/bbk-local?uid=8761f9211928bd5b01f29e36d8a6a4fa" target="_blank">here</a>.</span></span></span>
<span style="font-size: small;"><br /></span>ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com0tag:blogger.com,1999:blog-8008859556171368662.post-10509498753874648542014-02-06T07:00:00.000-08:002014-02-18T23:28:48.093-08:00Technophilia<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCa1hk20A1abchNk6HQakr4_pvghnVRKhcVF8Kd2CrAmsdFB84O80XV5Jqn4MIgqC02s5BG2zWlZ185cndiYrWQXGlK6Bjlvlsb94BSKGGxJqa82f0NDri_eh1fnx6_hsdwCZD9xJb2J3G/s1600/della_trasportazione%252365E067.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCa1hk20A1abchNk6HQakr4_pvghnVRKhcVF8Kd2CrAmsdFB84O80XV5Jqn4MIgqC02s5BG2zWlZ185cndiYrWQXGlK6Bjlvlsb94BSKGGxJqa82f0NDri_eh1fnx6_hsdwCZD9xJb2J3G/s1600/della_trasportazione%252365E067.jpg" height="320" width="200" /></a><br />
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<span style="color: #b45f06;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>Thursday 13 March 2014, 2-5pm</b></span></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Keynes Library, School of Arts, Birkbeck, 43 Gordon Square, London WC1H 0PD</span><br />
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exploring architects' preoccupation with technology across periods and regions,
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<i><span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Times; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">From the
Cockpit to the Domestic Interior: technology as motif
and practice in the work
of Wells Coates</span></i></div>
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<span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Times; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;"><a href="https://iris.ucl.ac.uk/iris/browse/profile?upi=BJPEN61" target="_blank">Barbara Penner</a>,
Bartlett, UCL</span></div>
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comes Home: Alexander Kira, Ergonomics, and the Bathroom</span></i></div>
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Oslo School of Architecture and Design</span></div>
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<i><span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Times; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">Things that
move: Domenico Fontana, the technology of process and definitions of the
architectural work</span></i><br />
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<span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Times; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;"><a href="http://www.bbk.ac.uk/history/our-staff/full-time-academic-staff/dr-serafina-cuomo" target="_blank">Serafina Cuomo</a> (Department of History, Classics and Archaeology, Birkbeck) and <a href="http://www.bbk.ac.uk/culture/our-staff/joel-mckim" target="_blank">Joel McKim</a> (</span><span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Times; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">Department of Film, Media and Cultural Studies, Birkbeck) will respond to the papers.</span><br />
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</style>ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com0tag:blogger.com,1999:blog-8008859556171368662.post-58779816339460347292013-10-18T13:33:00.000-07:002013-10-30T02:33:55.187-07:00Spaces of Pain<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #b45f06;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>Friday 22 November 2013, 2-5pm</b></span></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Cinema, School of Arts, Birkbeck, 43 Gordon Square, London WC1H 0PD</span><br />
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symposium exploring the connections between space, architecture, pain and
punishment. </span></div>
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<b><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;"><a href="https://www.ucl.ac.uk/art-history/about_us/academic_staff/robert-mills" target="_blank">Robert Mills</a>, History of Art, UCL</span></b></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: major-latin;">Discipline and Punish: Regulating Desire in the Abbey
Church of Vézelay</span></i><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: major-latin;"></span></div>
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</span><b><span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: major-latin;"><a href="http://www.lsa.umich.edu/histart/people/faculty/ci.timmermannachim_ci.detail" target="_blank">Achim Timmermann</a>, History of Art, </span><span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: major-latin;">University of Michigan, Ann Arbor</span></b>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: major-latin;">Gothic Splendor and Bodies in Pain: New Thoughts on
Wroclaw's Late Gothic Pillory</span></i></div>
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<b><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: major-latin;"><a href="http://www.bbk.ac.uk/art-history/staff/teaching-staff/maniura" target="_blank">Robert Maniura,</a> History of Art, Birkbeck</span></b></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: major-latin;">Some Thoughts on the Spaces of Pain</span></i><br />
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<span style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: major-latin;"><b><a href="http://www.bbk.ac.uk/history/our-staff/teaching-and-scholarship/mangion" target="_blank">Carmen Mangion</a>, History, Birkbeck, and <a href="http://www.bbk.ac.uk/history/our-research/birkbeckpainproject" target="_blank">Birkbeck Pain Project</a></b></span></span><br />
<span style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: major-latin;"><i>Carmen Mangion will offer a response to the papers.</i><b> </b></span></span><br />
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<span style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: major-latin;">All welcome. To book a place click <a href="https://www.eventbrite.co.uk/event/8969771829" target="_blank">here</a>.<b> </b></span></span><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: Calibri; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: major-latin;"> </span></i></div>
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<br />ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com0tag:blogger.com,1999:blog-8008859556171368662.post-76725666584661852242013-06-04T04:44:00.002-07:002013-06-20T07:31:54.219-07:00Screen Architecture <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBJ5cSiAOEWZPTM7vDZuknu8VWw6aHvxKWilNzN1T-LPEwzaWY6_nYVS2CAEd-75BgRgtTXbvl3GFOkhnATs1sG1HkWGRS8MPTcTCVMbmC41nxpDI0Xp8j0HvHJ2uJNL0BpOgP7IUcNpzW/s1600/Mutek_MO_1476.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBJ5cSiAOEWZPTM7vDZuknu8VWw6aHvxKWilNzN1T-LPEwzaWY6_nYVS2CAEd-75BgRgtTXbvl3GFOkhnATs1sG1HkWGRS8MPTcTCVMbmC41nxpDI0Xp8j0HvHJ2uJNL0BpOgP7IUcNpzW/s400/Mutek_MO_1476.jpg" width="400" /></a></td></tr>
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<span lang="EN-US" style="font-family: Times; font-size: 9.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Times; mso-bidi-font-size: 16.0pt;">Rafael
Lozano-Hemmer, <i>Make Out, Shadow Box 8</i> (2009), Montreal<o:p></o:p></span></div>
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<span class="Apple-style-span" style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;"><b> </b></span><br />
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<span class="Apple-style-span" style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>Friday 28 June, 2013, 2-5pm</b></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Cinema, School of Arts, Birkbeck, 43 Gordon Square, London WC1H 0PD</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">A symposium exploring the relationship between buildings and screens, from son-et-lumière projections on historic buildings, to contemporary media-dominated urban districts, to architecture portrayed in film, to the award-winning design of Birkbeck's own cinema spaces. </span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2.00 - 2.10 - introduction </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2.10 - 2.35 </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Ian Christie, Anniversary Professor of Film and Media History, Birkbeck </span><br />
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<!--StartFragment--><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><span class="Apple-style-span" style="color: orange;">Sound, light and stone: bringing buildings to life</span></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><span class="Apple-style-span" style="color: orange;"> </span><!--EndFragment-->
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2.40-3.05</span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Joel McKim, Lecturer in Media and Cultural Studies, Birkbeck</span><br />
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<!--StartFragment--><span lang="EN-US"><span class="Apple-style-span" style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;">Desiring screens: media and architecture at
Montreal's 'Quartier des spectacles'</span></span><br />
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<span style="color: #eeeeee;"><span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">3.05-3.20 - questions and discussion</span></span></span><br />
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<span lang="EN-US"><span class="Apple-style-span" style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;"><span style="color: black;"><span style="background-color: #444444;"><span style="color: #eeeeee;">3.20-3.50</span> </span><i><span style="color: orange;">The Belly of an Architect</span></i><span style="color: orange;"> (Dir. Peter Greenaway, 1987)<span style="color: #eeeeee;"> screening of extract and commentary by Ian Christie</span></span><span style="color: #eeeeee;"> </span></span></span></span><br />
<span style="color: #eeeeee;"></span><span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></span>
<span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">4.00-4.30</span></span><br />
<span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Andy MacFee, Director, Proctor and Matthews Architects</span></span><br />
<span class="Apple-style-span" style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;">Birkbeck's Cinema and surroundings explained: a presentation and tour</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">(Andy MacFee, formerly Director at Surface Architects, designed the RIBA-award-winning 2007 conversion of the ground floor and basement of Birkbeck's Gordon Square buildings to house the cinema, classrooms, offices and circulation spaces. He will speak about the design process and give a tour.)</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">4.30-5 - questions and discussion </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">No booking necessary - first come first seated.</span>ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com0tag:blogger.com,1999:blog-8008859556171368662.post-29440218226175569932013-02-18T04:25:00.000-08:002013-04-15T07:36:55.648-07:00Domesticating Hitler - Friday 8 March 2013, 5-6pm<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: large;">Click <a href="http://blogs.bbk.ac.uk/events/2013/04/15/style-hitler/" target="_blank">here</a> for a blog on this paper by Ruth Harriss, student on Birkbeck's MA History of Art.</span><br />
<span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">The Architecture Space and Society Network is delighted to welcome <span style="color: orange;">Dr Despina Stratigakos</span>, Associate Professor at the School of Architecture and Planning, University at Buffalo, State University of New York. </span></span><br />
<br />
<span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">She will be givi<span style="font-size: large;">ng a paper entitled</span>:</span></span><br />
<span style="font-size: large;"><span style="color: orange;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><br /></span></span></span>
<span style="font-size: large;"><span style="color: orange;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Domesticating Hitler: Ideology and Aesthetics in the Führer's Private Spaces</span></span></span><br />
<span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Friday 8 March 2013</span></span><br />
<span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">5-6pm</span></span><br />
<span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Birkbeck, Department of History of Art and Screen Media</span></span><br />
<span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">School of Arts</span></span><br />
<span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">43 Gordon Square, London WC1H 0PD</span></span><br />
<span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Room 112</span></span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">All Wellcome</span>.<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"> The event is free but places are limited, so please book <a href="http://domesticating-hitler.eventbrite.com/#" target="_blank">here</a>. </span> </span><br />
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<br />
<span style="font-size: large;"><span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Dr. Stratigakos will present research for a new book project, <i>Hitler at Home</i> (Yale University Press, forthcoming 2015), which examines the aesthetic and ideological construction of Hitler’s domesticity, focusing on the Berghof on the Obersalzberg and his Munich apartment at Prinzregentenplatz 16. Through the architectural and media creation of these places, the Nazi regime fostered the myth of the private Hitler as peaceable homebody and good neighbour, an image used strategically and effectively within Germany and abroad to distance the Führer from Europe’s violence. The fabrication of Hitler’s private spaces reveals how the occupant imagined his interiority, how he positioned this self in relation to his public identity, and how intricately and expertly artists and propagandists of the regime interwove these facets into a seductive whole.
</span></span>
</span><br />
<span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"></span></span><br />
<br />
<span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Despina Stratigakos is an architectural historian and specialist in gender and modernity in European cities. Her book <i>A Women’s Berlin</i> (University of Minnesota Press 2008), explores the conception of a city built by and for women, a place that was imagined and partially realized in the years before the First World War. The book was awarded the DAAD Book Prize of the German Studies Association and the Milka Bliznakov Prize from Virginia Tech.</span></span>ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com0tag:blogger.com,1999:blog-8008859556171368662.post-16819316231798970542012-10-17T12:57:00.002-07:002013-03-05T06:27:10.942-08:00Domes: Past, Present and Future<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXnWl6FmQQsIfqSLp38hZjiQGzUdVT-IVsg_mAL1_6OsH65gv8je8apgU-aJR_JgTnzG2onfgCC16XaOJRqrtQ1T_bQKz29kwPj4B1Jc_ZdYUYyt9owEL48vpaRLWspxJ2AWY8twviW8xq/s1600/FulldomeKuppel_2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXnWl6FmQQsIfqSLp38hZjiQGzUdVT-IVsg_mAL1_6OsH65gv8je8apgU-aJR_JgTnzG2onfgCC16XaOJRqrtQ1T_bQKz29kwPj4B1Jc_ZdYUYyt9owEL48vpaRLWspxJ2AWY8twviW8xq/s200/FulldomeKuppel_2.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3XMctpquyPqlSaEze7Yob2loadzWR72no9uapyCKsdO3bwmKM5vNvoDUMNnjnyMU08KlMsJAk45McfPFgxymvciQ30U0_N6jwGC_Ku7o4lv5UEn2K-VJcMN4UolwmrJ1QtPbMDZAZ60s0/s1600/duomo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="141" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3XMctpquyPqlSaEze7Yob2loadzWR72no9uapyCKsdO3bwmKM5vNvoDUMNnjnyMU08KlMsJAk45McfPFgxymvciQ30U0_N6jwGC_Ku7o4lv5UEn2K-VJcMN4UolwmrJ1QtPbMDZAZ60s0/s200/duomo.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi9sR7JAlnm8m4IDggFyNq1aAq9-36m6bNT9pFFPkvLbAXj8CwfHk8kfH9YVknPzsJNzZ5D3-RMAdbs56DkSD9Bjxv5t2owjlwt8csd2Jh1dkcVmXIpI8ph77j_ZgNoGZJDL1uumON_a7i/s1600/buckminster-fuller-dome-restoration-grant-4-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi9sR7JAlnm8m4IDggFyNq1aAq9-36m6bNT9pFFPkvLbAXj8CwfHk8kfH9YVknPzsJNzZ5D3-RMAdbs56DkSD9Bjxv5t2owjlwt8csd2Jh1dkcVmXIpI8ph77j_ZgNoGZJDL1uumON_a7i/s200/buckminster-fuller-dome-restoration-grant-4-1.jpg" width="200" /></a></div>
<span class="Apple-style-span" style="font-family: Arial;"><br /></span>
<br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Please cli<span style="font-size: large;">ck <a href="http://blogs.bbk.ac.uk/events/2013/03/04/if-it-looks-like-a-dome-and-you-think-its-a-dome-then-it-probably-is-a-dome/" target="_blank">here</a></span> for <span style="font-size: large;">a blog <span style="font-size: large;">on the symp<span style="font-size: large;">osium by Ruth Harriss, stude<span style="font-size: large;">nt on <span style="font-size: large;">Birkbeck's MA History of Art.</span></span></span></span></span></span><br />
<br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Thursday, 29 November 2012,
2-5pm</span><br />
<div class="MsoNormal">
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Cinema, Birkbeck School of
Arts, 43 Gordon Square, London WC1H 0PD</span></div>
<div class="MsoNormal">
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></div>
<div class="MsoNormal">
<span class="Apple-style-span" style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;">A symposium exploring
continuities and ruptures in the use and meanings of the dome across periods
and media. </span></div>
<div class="MsoNormal">
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-2.10 - introduction (Tag Gronberg)</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2.15-2.45</span></div>
<div class="MsoNormal">
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Peter Draper, Visiting
Professor of History of Architecture, Birkbeck</span></div>
<div class="MsoNormal">
<span style="color: #e69138;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">The Early Exploration of Domes: Typology, Symbolism and Decoration</span></span></span>
</div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2.50-3.20</span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Caspar Pearson, Lecturer,
Department of Art History and Theory, University of Essex</span><br />
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<!--StartFragment--><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><span class="Apple-style-span" style="color: orange;">From Renaissance Urbanism to the Urban Renaissance:
Domes and the Making of Cultural History</span> </span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">3.20-3.30 - discussion</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">3.30-4</span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Barry Curtis, Emeritus Professor of Visual Culture, Middlesex University, and London Consortium</span></div>
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<span lang="EN-US" style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: medium; mso-ansi-language: EN-US;">Utopian Domes: Buckminster Fuller and 'Spaceship Earth'</span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">4.05-4.35</span></div>
<div class="MsoNormal">
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Nick Lambert, Lecturer in Digital Art and Culture, Department of History of Art and Screen Media, Birkbeck
</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: medium; mso-ansi-language: EN-US;">From the CAVE to Fulldome: Virtual Space Returns to its Roots</span><br />
<span lang="EN-US" style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: medium; mso-ansi-language: EN-US;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">4.35-5 - discussion</span><br />
<br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">This event is free, but booking is required. </span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">To book:</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><a href="http://domespastpresentfuture.eventbrite.com/">http://domespastpresentfuture.eventbrite.com/</a></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></div>
ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com2tag:blogger.com,1999:blog-8008859556171368662.post-22583298152572125732012-04-25T02:39:00.000-07:002012-05-11T07:56:36.879-07:00Architecture and Museums: Design on Display<span class="Apple-style-span" style="font-size: large;"><br /></span><br />
<div class="MsoNormal" style="margin-left: -1.0cm;">
<span style="font-family: Calibri; font-size: large;">A workshop
organised by the Architecture, Space and Society Network<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: -1.0cm;">
<span style="font-family: Calibri; font-size: large;">School of
Arts, Birkbeck, University of London<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: -1.0cm;">
<span class="Apple-style-span" style="font-size: large;"><br /></span></div>
<div class="MsoNormal" style="margin-left: -1.0cm;">
<span style="font-family: Calibri; font-size: large;">Thursday 17
May, 2-5pm, in the Cinema at 43 Gordon Square, London WC1H 0PD</span></div>
<br />
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<tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: Arial,Helvetica,sans-serif;">New Design Museum, Entrance Foyer. John Pawson Ltd. Image by Alex Morris Visualisation</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXSMmuF-hKVg_bLTD6J3KXFHMlWai-mGBacACsGbz1itlVufoYvf-Loe96No5wa6EgzmsS-PCDypc_DxPF8MK7c-sPyu3G638c2EGvacyZ_zeLC3eeCqT_lcT3wUHrNCAi6d00WGaoqBHF/s1600/12+Rise+of+Gothic.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXSMmuF-hKVg_bLTD6J3KXFHMlWai-mGBacACsGbz1itlVufoYvf-Loe96No5wa6EgzmsS-PCDypc_DxPF8MK7c-sPyu3G638c2EGvacyZ_zeLC3eeCqT_lcT3wUHrNCAi6d00WGaoqBHF/s400/12+Rise+of+Gothic.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: Arial,Helvetica,sans-serif;">V&A, Medieval and Renaissance Galleries, Rise of Gothic Room. </span><br />
<span class="Apple-style-span" style="font-family: Arial,Helvetica,sans-serif;">Image courtesy of V&A</span></td></tr>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: large;">The workshop
will explore the historical and contemporary </span><span class="Apple-style-span" style="font-family: Calibri; font-size: large;">dimensions of architecture and
design in museum settings. We will
focus on two recent and ongoing London projects, the Medieval and Renaissance
Galleries at the V&A, and the new Design Museum on Kensington High Street. Speakers from these institutions will
be joined by architectural historians for a lively discussion.</span><br />
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<span style="font-family: Calibri; font-size: large;">2.15 - Alice Black,
Deputy Director, Design Museum</span><br />
<span style="font-family: Calibri; font-size: large;"><o:p><i>Displaying Design and Architecture at the new Design Museum</i></o:p></span></div>
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<span style="font-family: Calibri; font-size: large;">2.40 - Catherine
Croft, Director, Twentieth Century Society</span><br />
<span style="font-family: Calibri; font-size: large;"><o:p><i>Museums and the Re-Use of Modern Buildings</i></o:p></span></div>
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<span style="font-family: Calibri; font-size: large;">3.05 - </span><span style="font-family: Calibri;"><span class="Apple-style-span" style="font-size: large;">Glyn Davies,
Curator, Sculpture Department, V&A</span></span><br />
<span style="font-family: Calibri;"><span class="Apple-style-span" style="font-size: large;"><i>Building/History: The new Medieval and Renaissance Galleries at the V&A</i></span></span><br />
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<span style="font-family: Calibri; font-size: large;">3.30 - Dr
Alexandrina Buchanan, Lecturer in Archive Studies, </span><br />
<span style="font-family: Calibri; font-size: large;">School of Histories, Languages and Cultures,
University of Liverpool</span><br />
<span style="font-family: Calibri; font-size: large;"><o:p><i>Contents and Context: Collecting and Displaying Architecture and Design in Britain</i></o:p></span><br />
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<span style="font-family: Calibri; font-size: large;"><o:p>3.50 - Discussion<i> </i></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: large;">To book: <a href="http://designondisplay.eventbrite.com/">click here</a></span><br />
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<span class="Apple-style-span" style="font-family: Arial,Helvetica,sans-serif; font-size: large;">This event is part of Birkbeck's <a href="http://www.bbk.ac.uk/arts/about-us/our-events/arts-week-2012" target="_blank">Arts Week 2012</a>.</span><br />
<span class="Apple-style-span" style="font-family: Calibri; font-size: large;"><br /></span></div>ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com0tag:blogger.com,1999:blog-8008859556171368662.post-17917447913245653222012-01-13T13:26:00.000-08:002012-02-15T09:08:50.536-08:00Spaces of Dissent: An interdisciplinary workshop on Occupy London<div class="separator" style="clear: both; text-align: center;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXYWc_dOv1ZfVyaKIJqxbX7iVr7yCedQws_TFtjY3m9mnX8ETKxTEDqexjPqE8kR2g0AHz_8mlrgtFRmYeeTaaQIHpsWo3KcQOGKNINwV35yeLd8dpIDM17iupC7M-bni6yeCRHEHaxRT5/s1600/_DSC9131.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXYWc_dOv1ZfVyaKIJqxbX7iVr7yCedQws_TFtjY3m9mnX8ETKxTEDqexjPqE8kR2g0AHz_8mlrgtFRmYeeTaaQIHpsWo3KcQOGKNINwV35yeLd8dpIDM17iupC7M-bni6yeCRHEHaxRT5/s400/_DSC9131.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Credit:ASSN, Vasari Research Centre (Birkbeck) <br />
Photographer: Dominic Misfud 2011</td></tr>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Thursday 23 February 2012</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-5pm</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Birkbeck School of Arts</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">43 Gordon Square</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Cinema</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">A panel of academics from a range of disciplines will discuss Occupy London. They will focus on how urban space and politics intersect in the historically, politically and theologically charged context of St Paul's Churchyard and the City of London.</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="font-size: large;">Short informal presentations will be followed by a round table discussion and an open discussion with the audience.</span> </span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Speakers include:</span><br />
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<span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Professor Derek Keene, Honorary Fellow and Professor (Metropolitan History), Institute of Historical
Research<o:p></o:p></span></span></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> Medieval St Paul's: confrontation and occupation<o:p></o:p></span></span></i></div>
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<span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Dr Christine Stevenson,
Senior Lecturer, Courtauld Institute of Art<o:p></o:p></span></span></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> "My craz’d Arches": seventeenth-century St Paul’s</span></span></i><br />
<i style="mso-bidi-font-style: normal;"><span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> assaulted, and protesting<o:p></o:p></span></span></i></div>
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<span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Dr Mari Paz Balibrea
Enriquez, Senior Lecturer in Modern Spanish Literature and Cultural Studies,
Birkbeck <o:p></o:p></span></span></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> Invested in space: reflections on the location(s) of
dissent<o:p></o:p></span></span></i></div>
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<span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Sarah Lamble, Lecturer,
School of Law, Birkbeck<o:p></o:p></span></span></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> Disciplining Spaces of Dissent: The rioter, the
occupier and </span></span></i><br />
<i style="mso-bidi-font-style: normal;"><span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> the regulation of resistance<o:p></o:p></span></span></i></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">This is event is free, but booking is recommended.</span><br />
<span class="Apple-style-span" style="font-size: 21px;"><a href="http://assnspacesofdissent.eventbrite.com/"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Click here to book.</span></a></span></div>
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<span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Organised by the Architecture, Space and Society Network, Vasari Research Centre, Department of History of Art and Screen Media, School of Arts, Birkbeck</span></span></div>ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com0tag:blogger.com,1999:blog-8008859556171368662.post-25880924867052990572012-01-13T07:30:00.000-08:002012-01-13T07:30:04.927-08:00<h3 class="post-title entry-title">
<a href="http://bbkassn.blogspot.com/2011/11/architecture-and-audiences_23.html">Architecture and Audiences: Representation, Experience, Debate</a>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9GV5q2PWBXTDg736dhyfrAzM8Z6hZbpOU8cglK37YU9ccEqsQTDlZuMGVjXXXVuY_BzGOE27xZ5tWo5iBMjt0exbI49cc7WNCJNfcuoOOcigcp6ttS8tZLumpX-cxBTsCiKYTi0eBMOo/s1600/Berlin.jpg.png" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9GV5q2PWBXTDg736dhyfrAzM8Z6hZbpOU8cglK37YU9ccEqsQTDlZuMGVjXXXVuY_BzGOE27xZ5tWo5iBMjt0exbI49cc7WNCJNfcuoOOcigcp6ttS8tZLumpX-cxBTsCiKYTi0eBMOo/s320/Berlin.jpg.png" width="232" /></a> <br />
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A symposium organised by the Architecture, Space and Society Network<br />
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<b>Thursday 8 December, 2-5pm, in the Cinema at 43 Gordon Square, London WC1H 0PD</b><br />
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<u>Programme:</u><br />
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2.00 Introduction<br />
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2.10 John Goodall, Architectural Editor of <span lang="EN-US" style="font-family: "Adobe Caslon Pro"; font-size: small;"><i>Country Life</i></span><br />
<i> </i><span style="font-size: small;"><i><span lang="EN-US" style="font-family: "Adobe Caslon Pro";">Architecture and Ancestry</span></i></span><br />
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2.55 Kathleen James-Chakraborty, Professor of Art History, University College Dublin<i> </i><i> </i> <br />
<span style="font-size: small;"><i><span lang="EN-US" style="font-family: "Adobe Caslon Pro";">The Kaiser Wilhelm Gedächtniskirche: Creating New Memories in Postwar Berlin</span></i></span><br />
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Adobe Caslon Pro";"></span><i><span lang="EN-US" style="font-family: "Adobe Caslon Pro";"> </span></i></span>3.35 Discussion<br />
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4.00 Peter Draper, Visiting Professor of History of Architecture, Birkbeck <br />
<span style="font-size: small;"><i><span lang="EN-US" style="font-family: "Adobe Caslon Pro";">Adaptation and Changing Significance: Cathedrals as Case </span></i></span><br />
<span style="font-size: small;"><i><span lang="EN-US" style="font-family: "Adobe Caslon Pro";"> Studies</span></i></span><br />
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4.25 Kate Goodwin, Drue Heinz Curator of Architecture, Royal Academy of Arts<br />
<span style="font-size: small;"><i><span lang="EN-US" style="font-family: "Adobe Caslon Pro";"> </span></i></span><span style="font-size: small;"><i><span style="font-family: "Adobe Caslon Pro";"><span lang="EN-US">Architecture in Art Galleries</span></span></i></span><br />
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4.45<span style="font-size: small;"><i><span style="font-family: "Adobe Caslon Pro";"><span lang="EN-US"> </span></span></i></span>Discussion<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuXjiHRFFXKy6KvMyGS1VWM4v28v2abD-SNXQUQx_BVQ-hGp4Z0Z17Z7EY1lf3upnlR5JPe3pqIwJxotP1xgKyuaOBdpGpdQBs0PyWmN4-uE5U71IdC0b5WbB8EjCnN17QTj2y0UbttBs/s1600/Pevsner.jpg.png" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuXjiHRFFXKy6KvMyGS1VWM4v28v2abD-SNXQUQx_BVQ-hGp4Z0Z17Z7EY1lf3upnlR5JPe3pqIwJxotP1xgKyuaOBdpGpdQBs0PyWmN4-uE5U71IdC0b5WbB8EjCnN17QTj2y0UbttBs/s200/Pevsner.jpg.png" width="130" /></a><span style="font-size: small;"><span lang="EN-US" style="font-family: "Adobe Caslon Pro";"><u>Reception and Launch</u></span></span><br />
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Adobe Caslon Pro";">5 – 6.30pm, Keynes Library (43 Gordon Square, 1<sup>st</sup> floor)</span></span><br />
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<span style="font-size: small;"> </span><span style="font-size: small;"><span lang="EN-US" style="font-family: "Adobe Caslon Pro";">Please join us after the symposium for a wine reception celebrating Susie Harries' acclaimed biography <i>Nikolaus Pevsner: The Life</i> (Chatto & Windus) and the 60<sup>th</sup> anniversary of the publication of the <i>Buildings of England</i> series (Yale University Press).</span></span>ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com0tag:blogger.com,1999:blog-8008859556171368662.post-28863650400732603902012-01-13T07:29:00.000-08:002012-01-13T07:29:12.012-08:00‘Out of Site, in Plain View: the Modernity of the Architecture Exhibition since 1750’<br />
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<b><span lang="EN-US">Professor Barry Bergdoll</span></b></div>
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<i><span lang="EN-US">Philip Johnson Chief Curator of Architecture and Design</span></i></div>
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<i><span lang="EN-US">The Museum of Modern Art New York </span></i></div>
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<i><span lang="EN-US">Professor of Nineteenth and Twentieth Century Architectural History, Theory and Criticism </span></i></div>
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<i><span lang="EN-US">Columbia University NY</span></i></div>
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<b style="color: purple;"><span lang="EN-US">‘Out of Site, in Plain View: the Modernity of the Architecture Exhibition since 1750’</span></b><span style="color: orange;"></span></div>
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<b>Wednesday 16<sup>th</sup> March 2011</b></div>
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<b>6.00 – 7.30pm</b></div>
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<b>Birkbeck Cinema at 43 Gordon Square</b></div>
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<span style="font-size: xx-small;"><span lang="EN-US" style="font-family: Arial;">Image:<i> Holding Pattern </i></span><span lang="EN-US" style="font-family: Arial;">Interboro Partners Brooklyn NY </span></span></div>
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<span style="font-size: xx-small;"><span lang="EN-US" style="font-family: Arial;">2011 winner Young Architects Program MoMa & MoMA PS1 </span></span>ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com0tag:blogger.com,1999:blog-8008859556171368662.post-31441312063631124792012-01-13T07:27:00.000-08:002012-01-13T07:27:15.449-08:00Thoughts on the Ground Plan: Spatial Ideas in Loos, Strnad, Frank, and Schindler<div class="post-header">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxh2L91AOV6X9LelWiufmRUhw1oApqmsSvjibDI7duwQ7uNJe-je8zukMGwoENZMMlghUgWk278__iSQ1VHKIKzyNkVJvL0goHVlJWT7nltgSLFv3-MhuuOGLJ5VIKjLFaQzy1XypxwKk/s1600/ChrisLong.jpg.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxh2L91AOV6X9LelWiufmRUhw1oApqmsSvjibDI7duwQ7uNJe-je8zukMGwoENZMMlghUgWk278__iSQ1VHKIKzyNkVJvL0goHVlJWT7nltgSLFv3-MhuuOGLJ5VIKjLFaQzy1XypxwKk/s320/ChrisLong.jpg.png" width="320" /></a></div>
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<span style="font-size: medium;"><span lang="EN-US" style="color: #31679a; font-family: Arial;">Thoughts on the Ground Plan: Spatial Ideas in Loos, Strnad, Frank, and Schindler</span></span></div>
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<span style="font-size: x-small;"><span lang="EN-US" style="color: #31679a; font-family: Arial;">Christopher Long, University of Texas at Austin</span></span></div>
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<span style="font-size: xx-small;"><span lang="EN-US" style="font-family: Verdana; font-weight: normal;">During
the first decades of the last century, Vienna was a fertile ground not
only for discussions about the use and meaning of ornament in
architecture, but also an important discourse concerning ideas of space,
movement, and procession. This lecture will examine the works and ideas
of four seminal thinkers—Adolf Loos, Oskar Strnad, Josef Frank, and R.
M. Schindler—and how each contributed to modern conceptions of
space-making.</span></span></div>
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<span style="font-size: xx-small;"><span lang="EN-US" style="font-family: Verdana; font-weight: normal;">Christopher Long is professor of architectural and design history at the University of Texas at Austin. He is the author of <i>Josef Frank: Life and Work</i> (2002), <i>Paul T. Frankl and Modern American Design</i> (2007), and <i>The Looshaus</i> (forthcoming).</span></span></div>
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<span style="font-size: xx-small;"><span lang="EN-US" style="font-family: Verdana;">Where?</span><span lang="EN-US" style="font-family: Verdana; font-weight: normal;"> Keynes Library, 43 Gordon Square
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<span style="font-size: xx-small;"><span lang="EN-US" style="font-family: Verdana;">When?</span><span lang="EN-US" style="font-family: Verdana; font-weight: normal;"> 6pm - 7:30pm, 9 March</span></span></div>
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<span style="font-size: xx-small;"><span lang="EN-US" style="font-family: Verdana; font-weight: normal;">This event is presented by the Department of HASM, Birkbeck and is free</span><span lang="EN-US" style="font-family: Verdana; font-weight: normal;"> and open to all. Image credit: Wolfgang Thaler</span></span></div>ASSNhttp://www.blogger.com/profile/15658051132097431109noreply@blogger.com0